Greeting card reproduction from the Calico Museum of Textiles and Sarabhai Foundation in India.
So beautiful. View more prints here.
Source: calicomuseum.com
Greeting card reproduction from the Calico Museum of Textiles and Sarabhai Foundation in India.
So beautiful. View more prints here.
Source: calicomuseum.com
Greeting card reproduction from the Calico Museum of Textiles and Sarabhai Foundation in India.
Source: calicomuseum.com
Dubai, United Arab Emirates, 1971 photographed by Eve Arnold
(via suicideblonde)
An Armenian woman in Julfa.
from The Costumes of Armenian Women by Gregory Lima(Tehran, 1974).
The Bagratid Dynasty (9th-13th century)
from The Costumes of Armenian Women by Gregory Lima(Tehran, 1974).
A bride from Shamakh (19th century).
from The Costumes of Armenian Women by Gregory Lima(Tehran, 1974).
Naeem Khan Fall 2011
Greek Rugs by KevinKSmith
This is what I imagine heaven to be like.
Source: flickr.com
Gambia, Africa, first half of the 19th century. From the Met’s The Essential Art of African Textiles: Design Without End
Another image:
Kamseh Kordjin - a 19th century book cover from Iran.
Hali, the modern Turkish word for carpet or rug was written kali in Ottoman Turkish script until late in the 18th Century, as it was in classical Persian and still in modern Persian. It was borrowed from Persian into Urdu and from Ottoman Turkish into Armenian and other Caucasian languages of the Balkans. Its ultimate origin is uncertain; it could be Turkish but might be Sogdian.
Source: haliegallery.com
Ottoman-inspired drawing room designed by Lorenzo (Renzo) Mongiardino.
Tissus Tartares’ carpet inspired print, “Lermontov,” named for the 19th-century novelist and poet.
Source: tissustartares.com
The textile equivalent of a luscious strawberry field, from Pauline van Lynden’s Rajasthan.